The main purpose of the tables Graux is the beauty and mystery of women, expressed through sensual nudes and backgrounds are colorful, oriental and rich symbolism. The art of the painter suggests the last gasp of Romanticism, which has caught the hand of Symbolism. In conjunction there is a sense of impenetrable mystery in his paintings, which combine with special expertise as accessible as impenetrable. The nudes are soft, delicate and precious, but especially palpable and open. The pose is classic, intimate, revive the curiosity and mystery, but not desire. Oriental symbols from the artist's own subjectivity, and belong to their own language is impenetrable. Halfway between the abstract and the wicked will never fade in mere ornamentation, never become one in the background. Instead, they move across the surface of the table, and granting a leading role as a core housing. Perhaps
one of the most remarkable things is their inherent Graux philosophical sense. Through an important aspect of human existence capture an essence of poetic expression that reminds us how it looks more transparent, accessible, open, real-time and ultimately, is at once ethereal, illegible, distant, impenetrable and unattainable.
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